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Rainer Maria Rilke: Religion as the Art of the Non-Creators

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05.11.2024
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Rainer Maria Rilke’s perspective on religion and art offers a profound view into the essence of human connection, creativity, and solitude. In his exploration, Rilke presents religion as an art form accessible to the “non-creators”—those who may not engage in traditional acts of creation yet find a pathway to personal transformation and expression through religious devotion. Religion, he suggests, becomes a medium through which love, gratitude, and yearning are constructed, providing a temporary culture and freedom from life's many purposes.

On Togetherness and Isolation
“When two or three people gather, they are not truly together. They are like marionettes, with strings held in different hands. Only when one hand guides them all does a kind of unity come over them, moving them to bow or stand.” Here, Rilke captures the idea of genuine togetherness as a rare, almost sacred state. True unity, he implies, requires a single guiding force—something beyond individual will—to transcend the limitations of mere proximity. This metaphor speaks not only to human relationships but also to the inner forces within each person, which must harmonize to bring about true creativity.

Religion: The Art of the Non-Creators
According to Rilke, religion functions as a release for the uncreative masses, allowing them to channel their emotions and desires into something constructive. “In prayer, they become productive: they build love, gratitude, yearning, and thus find liberation.” Religion, then, offers an avenue for those who might otherwise be disconnected from artistic pursuits. In focusing on a single purpose, they shed the multitude of conflicting goals, achieving a momentary escape and, in a sense, a fleeting form of culture.

The Solitude Essential to Creation
“The path to the true value of all works passes through solitude. To immerse oneself in a book, a painting, a song… for a day, two, or three; to learn their life’s peculiarities and explore their oddities; to place trust in them so as to merit their belief in you…” Rilke’s words emphasize that true appreciation of art requires isolation, a removal from daily distractions. Only in solitude, when one fully opens to a work of art, can its essence be truly experienced. For Rilke, solitude is not a condition to escape but a necessary step on the path to artistic and personal understanding.

Art Beyond the Day’s Disputes
“Keep art beyond the quarrels of the day, for its homeland is beyond all time. Its struggles are like storms that carry seeds, and its victories are like spring. Its creations are bloodless sacrifices of a new alliance.” Rilke emphasizes that art must be protected from the mundane and temporary. Its purpose is timeless; its victories are internal, much like the renewal of spring, and its sacrifices are spiritual rather than physical. Art, in Rilke’s view, must stand apart from temporal concerns, as its true domain lies beyond them.

Art as a Path to Freedom
“Art is the path to freedom. We are all born in chains. Some forget about them, allowing them to be silvered or gilded. But we want to break them. Not with ugly violence; we wish to overcome them.” Rilke envisions art as a means of liberation, distinguishing those who forget their chains from those who seek true freedom. Art, in this sense, is not only a personal endeavor but an act of transcending the limitations of existence. This freedom, he insists, does not come through force but through inner elevation and overcoming.

The Artist’s Solitude
“When the artist finds himself, he remains in his solitude; he wishes to die in his homeland.” Rilke sees the artist’s journey as one of self-discovery and, ultimately, isolation. To truly “find oneself” is to embrace solitude, and this isolation is where the artist’s soul rests and flourishes. The homeland here is metaphorical, representing a state of inner peace and fulfillment that is achieved in solitude, far removed from external validation.

Criticism as an Art Form
“When criticism is not an art beside other arts, it remains petty, one-sided, unjust, and unworthy.” Rilke’s view on criticism suggests that it, too, must rise to the level of art, embracing fairness and depth. Otherwise, it remains limited and diminishes both itself and the art it seeks to judge.

Ownership and True Understanding
“A painting or a book can be truly understood only by one who possesses it. Paintings in a gallery, seen among others—confuse, much like visiting a famous person in a hotel.” Rilke argues that true understanding of art requires a personal, almost intimate relationship with it. Public exhibitions, he believes, dilute the experience, creating a sense of superficial acquaintance rather than true knowledge. Only in the personal setting, as with a cherished possession, can one truly connect with and grasp the work.

Trust in Life and Nature
“You know that the flower bows when the wind wishes it. You too must be like it—filled with deep trust!” Rilke’s metaphor encourages a profound trust in the natural flow of life. Just as a flower yields to the wind, he urges people to approach life with surrender and confidence, letting go of control and embracing faith.

From Fear to Bliss
“After the new fear comes new bliss. It has always been so.” Rilke identifies a cyclical pattern in life, where every moment of fear or anxiety is inevitably followed by one of joy and peace. This recognition of life’s rhythm reflects his broader perspective on the ebb and flow of human experience, where hardship is a prelude to serenity.

The Essence of Possession
“One of the basic laws of life is to regard every possession as complete in itself; then every addition will seem unnecessary, and wealth will become infinite.” Rilke advises a view of life where each possession, relationship, or experience is appreciated as whole. By doing so, any additional gain appears as surplus, fostering a sense of endless wealth. It’s a philosophical approach to fulfillment, where simplicity and gratitude yield boundless richness.

In Rilke’s world, art, religion, solitude, and freedom intertwine as paths to personal truth. His philosophy calls for depth, independence, and unwavering trust in the natural and spiritual rhythms of existence. Through solitude, we find value; through devotion, we find release; and through art, we find freedom—each a pathway toward a life of profound significance.
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